When Good Things Happen to Good People in the Film World, I'm Surprised --Short Documentary Film 2010 Academy Award Nomination
One of the first things I learned as a budding filmmaker is that filmmaking is not a meritocracy. Like many industries, you move up the film world through who you know, not what you know. Pseudo-artists make it big while real artists starve. Some of the best works of art do not necessarily garner the most accolades; some of the weirdest, most violent and gratituously sexually explicit independent films, in the name of art, often win many awards at both Cannes and the Independent Spirit Awards. Some films which I feel are so extraordinary don't quite make it commercially while others which I would personally consider to be less worthy go on to become blockbuster hits. The world of film has its particular tastes and trends, which often go against my personal aesthetics and tastes. But who cares what I think? I am a nobody in the film world. But yet as a voting member of the Independent Spirit Awards, I find many of the films to be too violent and gratituously sexual and sometimes a combination of both. "Sin Nombre," by a half Japanese and half Swedish American Cary Funakaga, while a beautifully artistic film, had multiple scenes of attempted rapes and children committing acts of violence. An 11-year-old kid shoots a man and the corpse is cut up into pieces and fed to the dogs. So often I find so many bizarre, disturbing and distasteful films being nominated for top awards. "Sin Nombre" was a piece of art and also is probably one of the first American films which provides historical insight into the Central American/Mexican immigrant experience. According to published reports, Funakaga researched his story meticulously. But did it have to be so violent? Was that violence germane to the expression of story? I think some of it was; I think some of it was sensationalism. In many ways, I think it was a masterful, multi-faceted visual storytelling but I do not think it had to be so violent. So many of the nominated Independent Spirit Award films are violent. Last year's "Hunger" and "Gomorrah" made me numb.
What does this have to do anything with the Academy Awards? Steven Bognar and Julia Reichert who are among the humblest and kindest among our species have been nominated for their short documentary film "The Last Truck: Closing of a GM Plant." Their sensitive, intimate portrayal of GM workers losing their jobs and community as the last truck rolls off the assembly lines brought me to tears. It is about the impact of the recession on ordinary, working-class folks who want nothing more than to raise their family. I saw portions of the film at the IFP Market and met Steven there for the first time in person though I have been corresponding with him for the past 5 years.
Speaking of Oscar-worthy films, the Ohio-based documentary filmmaking couple Steven Bognar and Julia Reichert who helped me to find production crew in Dayton have been nominated for an Oscar this year for their short doc, "The Last Truck: Closing of a GM Plant." They are among the kindest and humblest of our species, in addition to being among the finest docmakers around. So happy for them. And moreover, I am thrilled that good films and great humane filmmakers without giant egos get the spotlight and recognition that they deserve. I could not be happier with their nomination. As my Associate Producer Karen said "That's great. Isn't it nice when good things happen to good people? Especially in an industry where, at least in my experience, people often fail upward, or are rewarded merely for whom they know..." She worked in film for a decade before she had kids.
Steven Bognar helped me from the very beginning in 2005 when I first began shooting my film in Ohio. He didn't even know a single thing about me. I just called him up and without hesitation he assisted. He helped me to find a cameraperson who was willing to work at student rates the last time I was in Ohio in April 2009. During that same videoshoot, when 2 out of my 3 batteries went dead all of the sudden and I was unable to find a professional videostore in Dayton, Steve saved the day by calling up several of his filmmaker friends in the Dayton, OH and asked them to help me. I'm in awe of their generosity as much as I am of their achievements in filmmaking. Anyways, just found out that they were nominated last night and can't stop raving about them. Usually, I am complaining that such and such film got nominated when another should have been. There is meritocracy in the film world after all. Yeah!
What does this have to do anything with the Academy Awards? Steven Bognar and Julia Reichert who are among the humblest and kindest among our species have been nominated for their short documentary film "The Last Truck: Closing of a GM Plant." Their sensitive, intimate portrayal of GM workers losing their jobs and community as the last truck rolls off the assembly lines brought me to tears. It is about the impact of the recession on ordinary, working-class folks who want nothing more than to raise their family. I saw portions of the film at the IFP Market and met Steven there for the first time in person though I have been corresponding with him for the past 5 years.
Speaking of Oscar-worthy films, the Ohio-based documentary filmmaking couple Steven Bognar and Julia Reichert who helped me to find production crew in Dayton have been nominated for an Oscar this year for their short doc, "The Last Truck: Closing of a GM Plant." They are among the kindest and humblest of our species, in addition to being among the finest docmakers around. So happy for them. And moreover, I am thrilled that good films and great humane filmmakers without giant egos get the spotlight and recognition that they deserve. I could not be happier with their nomination. As my Associate Producer Karen said "That's great. Isn't it nice when good things happen to good people? Especially in an industry where, at least in my experience, people often fail upward, or are rewarded merely for whom they know..." She worked in film for a decade before she had kids.
Steven Bognar helped me from the very beginning in 2005 when I first began shooting my film in Ohio. He didn't even know a single thing about me. I just called him up and without hesitation he assisted. He helped me to find a cameraperson who was willing to work at student rates the last time I was in Ohio in April 2009. During that same videoshoot, when 2 out of my 3 batteries went dead all of the sudden and I was unable to find a professional videostore in Dayton, Steve saved the day by calling up several of his filmmaker friends in the Dayton, OH and asked them to help me. I'm in awe of their generosity as much as I am of their achievements in filmmaking. Anyways, just found out that they were nominated last night and can't stop raving about them. Usually, I am complaining that such and such film got nominated when another should have been. There is meritocracy in the film world after all. Yeah!